RHP- Author Promotion and Marketing


I’m not going to get into a debate about how Big Five promotes authors and books all over the place and how, if you’re with a small press, you’re out of luck; I’m not going to discuss how Stephen King gets everything he wants in the way of promotion and touring, etc., and all those poor mid-list authors get diddly squat, even from the Big Five.

The fact is that ANY author, unless his name is nationally recognizable, isn’t going to get much in the way of publicity from the Big Five. How does he become recognizable? From publicity and promotion.

You get it, right? Chicken and egg; getting a job with no experience; the anomalies of life.

So let’s forget New York. Let’s forget Random Penguin, et al. We’re going to look at indie and small press because, in reality, that’s where most of us are starting.

Indie and small press publishing have quite a few things in common; the difference is that small press can offer your book a “name,” i.e., a publisher, and that a reputable press won’t cost you any money.

Now, if you SP, you can put any name you want as the “publisher.” Sure. But those who know will STILL know it’s you. It’s not hard to guess, or to find out. Let me be clear: there is nothing wrong with this. If you do SP, you have to do it all—oh, you can pay for help with editing, cover design, etc., but you’re the boss, the chief, the one responsible for how it all turns out. Of course, you get to make all the decisions too. And that includes your marketing strategy. You’re on your own, kiddo.

With a small press, there’s someone (or several someones) to do most of this for you. And a good small press will ALSO handle your marketing and promotion. Some of it. Maybe even most of it. Small press will also hold your hand, pass along opportunities, commiserate with you, answer questions about all kinds of publishing “stuff,” and maybe even other, general “stuff.”

A small press canNOT do it all. Yes, even Big Five expects some author promo and marketing and as long as I brought it up again, the reason Stephen King and his cronies don’t have to do much of anything is because WE ALL KNOW THEM. Be honest, would you run to see SK at an event, or would you blow it off to go see [insert unknown author here]? He doesn’t need to glom onto social media on a daily basis. He doesn’t have to call local bookstores and try to finagle an event. I imagine if he did that, the bookseller would probably keel over . . .

All that said, an author has to bust his own butt to do promo and marketing. Nearly all of them, in fact, and here’s where we leave SK and get into what YOU can do (or not, as the case may be):

DO have a steady presence on social media.

DO NOT disappear for months or weeks or even days.

DO have a plan for posting and make those public, so others can share them.

DO NOT scream “buy my book” at every opportunity.

DO read blogs about writing and marketing.

DO NOT spend money for this.

DO try to arrange your own book events.

DO NOT get pissy when the answer is “no.”

DO keep your reputation in mind when you say or write or do anything in public.

DO NOT moan and groan and get bitchy, in public. Talk to the hand, man.

DO put yourself out there: writers’ groups, conferences, events.

DO NOT continuously talk about yourself, your books, your achievements.

Book sales are a cumulative deal. It’s sales, plain and simple, that grown your audience and your name. It takes time, and it takes effort. And it takes more than one person, usually, to do it all. Now, if you are just one person, SP-ing your books, there is certainly a lot you can do; if you’re with a small press, you still have to do it. Heck, if you’re with one of the Big Five, YOU HAVE TO DO IT.

The advantage of being with a publisher is that you DO NOT have to do it alone. And this is very important:

The more you do, the more your publisher will do.

If you disappear, if you whine about low sales, if you aren’t involved in a writing community, if you continuously bitch about everything, or if you do nothing at all, your publisher is less likely to do anything either. Fact.

People, in general, need to see something over and over before they’ll recognize a product and take action. Your book is a product. You are a product. If they like the book, they’ll buy it. If they like YOU, they’ll buy the book. Truth.

Join a group. Or groups. Even an online one. Set aside a half-hour at least five days a week to do online promo. Pick a couple hours a week to make phone calls or send press releases or make contacts. Pay attention to what’s going on in your community. If you get ten “no, thanks” answers, call ten more event coordinators. Be persistent.

A long time ago, we placed a measly little classified ad for a business we owned. Nothing. Nada. Three months later, the phone rang. A lady had cut out and kept that ad for THREE MONTHS. She hired us, and we got two more clients from her referrals. The whole thing took six months, not six hours.

You can do it.

 

 

 

Writer Wednesday—Sales Outside the Box


Last week, when I talked about distribution, I briefly mentioned bookstores, festivals, markets, and just plain hauling around boxes of books. Let’s look at those things again, for a moment, and then move on the more creative selling.

Bookstores: you CAN arrange events and have your books stocked in indie stores, even if you have no mainline distribution. But it’s much easier if stores can simply order your books through their main system. And it’s virtually impossible to get into large chain stores without that distribution.

Festivals, markets, schlepping: anyone can do this, all it takes is time.

Now, let’s be creative—and I’m going to use RHP books as examples, since we cover a lot of genres:

Genre Events: Smut by the Sea, across the pond, is a good example of this. Author Charlotte Howard (Seven Dirty Words, Four Letter Words) is going this year, in fact, she’s a featured author. Almost any genre has an organization, or several or many groups, who put on events to bring together readers and writers.

You will, however, run into other authors who have a “buy mine, I’ll buy yours” agenda—keep your wallet in your pocket. Sure, you’ll have sales, but only do this if you DO intend to read the book. Your book should stand on its own, not be a condition of a sale. Writers’ conferences can fall into this category too, although sometimes they offer a store to sell participants’ books.

Science fiction? Look at Archon or ComicCon; the first is local (to me) and the second, in Cali, has spawned dozens of events around the US. Particularly books like author George Sirois’ novel, Excelsior, or Michael Chulsky’s The Descending Darkness, fall into this category and could benefit from the exposure.

Now, you might be thinking these aren’t so creative after all, but how many of you have registered for one of these events? Even better—sell yourself, so you can be featured or part of the program. You wrote a book, for heaven’s sake, surely you have something to talk about, right?

Let’s move on—where is your story set? Who is the main character? Is there an overall message?

The Reduced Series: Girl Scout camp, adult women, survivalism

P.A.W.S: Forest Park (STL), young teens, bullying

Dickinstein: 1800s, Emily Dickinson, science

Spirits of St. Louis: St. Louis area, ghosts, history

Water Under the Bridge: early 1900s, women and girls, religious bullying, women’s rights

Danny’s Grace: early stardom, child abuse, drugs

Caught Between Two Curses: baseball, Cubs, paranormal, mystery, teen girl

What can you come up with as a potential venue for these? Break down your title, your story, and let your imagination loose. The worst that can happen is that you’re told “no.” And it might be just the thing a particular venue needs/is interested in to help THEIR sales and exposure.

I’m not forgetting children’s books here: Tuffy and Debbie, for instance. Guest reader at a school, naturally handing out a card with a book-buying link; library story time; pediatrician offices—ask to leave a complimentary copy. Again, look at the setting, the characters, the story, the message.

Holiday books can pose a particular problem when it comes to marketing and sales year ‘round. However, keep in mind that holiday shopping often starts in the fall, sometimes late summer. Retail stores often begin receiving holiday merchandise in August. Yes, August! Even now, in March, it’s not really too early to start bringing Morgidoo and ELF to someone’s attention!

Non-fiction can work the same way, except it’s more obvious that you are an expert—every author is, of course, an expert on his or her book. INNspiring Breakfasts, with its tie-in to author Kriss Royer’s B&B, could also be featured on cooking shows, grocery stores, specialty shops, and more. What is YOUR book about? What kinds of people would be interested in YOUR book?

Make a list. Brainstorm. Write it down whenever and wherever you think of a venue. Find your hook. Find your audience—make another list of all the characteristics of your ONE READER. Then find that reader, and all the others like him or her. Or find their parents. Or their pets.

You have to look, but you have to know exactly what you’re looking for.