Let’s Talk Publishing – Insider tips, tweaks, and just plain ol’ information


First, I’m sure you’ve heard some of these before:

It’s not what you know (or how well you write), it’s WHO you know.

Make your manuscript perfect BEFORE you send it off to a publisher or agent.

Use proper grammar, spelling, punctuation ALL THE TIME.

Sometimes, it IS who you know as opposed to what or how well. Sometimes, you could get bumped up in the queue of submissions because you know someone or someone has recommended you. That happens, sure. Not a lot, but it does happen.

A small press publisher is going to look at several things when he receives a manuscript: style, story, and sales. But he’s also going to look at the mechanics, because he’s not going to want to spend a lot of time “fixing” simple mistakes. I’m not talking about typos – there’s a difference. A typo is something like spelling “typo” as “tyop,” one time. A typo is NOT repeatedly using its for it’s, or constantly leaving a space between the end of a sentence and the ending punctuation of that sentence. Like this . Or putting punctuation outside the ending quotation mark.

That’s bad. Very bad. That means you haven’t mastered the basics, and you need to go back to the kindergarten of writing. Immediately.

Too many writers, I think, or aspiring authors, go over and over their manuscripts and tweak the story. They ignore any mechanical errors. Or worse, they don’t see the problem – back to kindergarten! THIS is what’s meant by “make it as perfect as possible.”

Style, of course, is HOW you write. What’s your voice? Be consistent. Use words and set scenes that fit whatever genre you’re writing in for that particular submission. Use language pertaining to the time period in which your story’s set. There’s no one “right” voice or style for everyone. What’s right for your story is YOU.

So you’ve written a manuscript, you’ve found your voice, you’ve been consistent, and you’ve made all those corrections. You submitted to a small press. Now what?

Just because the word “small” is attached to a publisher, it doesn’t mean that you’re going to hear anything in a few days. Or a few weeks, or even a few months. Many small press publishers are doing ALL THE THINGS for their businesses, all the time. Many work closely with their authors, true, but that’s after the contract is signed and the book is in production.

Now, for myself, for RHP, I usually don’t do the full edits, but I do final ones. Remember when you went over your manuscript, in detail, word for word, line by line? That’s what I do. Remember how long it took? Multiply that by one or two or three, every single month. RHP has an editor; we have a cover designer; we have distribution; we have promotion and marketing. And I oversee and/or do and/or am heavily involved in all of that.

As an example, I submitted my first book, REDUCED, to Harper Voyager on October first. 2012. Just over a year ago. THEY have scads of people to read manuscripts, etc., etc. and it’s been over a YEAR. So, I’m just sayin’, cut the small publishers some slack, okay?

Here’s what my day looks like, six days a week (sometimes seven!):

6:00 a.m. Check email and news. Answer approximately six emails and messages from RHP authors. Social media promo and marketing. Check sales stats. Answer three more emails and messages. Receive 2-4 submissions. Check on shipments. Make to-do list. Drink lots of coffee.

8:00 a.m. Make phone calls. Pay bills. Do paperwork. Drink more coffee. Maybe run errands. Hopefully, before I do that last, I have time to shower and dress!

9:00 a.m. Work on my own marketing, platform, blog posts, schedule, events, etc., etc.

10:00 a.m. Open the bookstore. This is when I do bookstore stuff, but even that overlaps into publishing. I shelve, I ship, I do the accounting, I take care of customers and answer the phone. And email. And messages. I schedule events and authors. And yes, I do marketing and promo for the bookstore.

3:00 p.m. (ish – some days a bit sooner, some later) This is when I get to edit and format and look at submissions. Maybe. Sometimes, I’m still dealing with everything else (see 6:00 a.m.). And too, I do have a family. And a house. And things like cooking and laundry, just like everyone else.

7:00 p.m. Dinner. Because the store is open until 7:00 and we have a weird schedule. Most days, we’re all here for dinner, but not all. And yes, sometimes I fudge and we grab takeout or just eat leftovers. Or popcorn. Always an option.

7:30 p.m. Finish up most things. Not all. Most. And I always swear that I’ll be done by 8:00 and can relax and maybe talk to my husband before he falls asleep. Note: it is currently 10:04 p.m.

So now you know. I work about nine hours a day just on the publishing end of things and about five hours a day at the bookstore. That’s six days a week, at least, and in case you’re math-challenged like me, it comes to 84 hours a week. And yes, I had to use the calculator for that!

I don’t think I’m slow, or stupid, and I’m willing to bet that most small press publishers do the same things and work the same hours. Okay, maybe they don’t own a bookstore, but many have “day  jobs.”

Yes, you wrote a book. And you think it’s good – that’s great! Now, make sure of it, send it off, and have some patience. The writing is hard – I know, I wrote three books myself – and so is the self-editing. And it’s really, really hard to wait. But that’s just part of the process. And it’s okay to ask for an update, just not every day or week.

 

Interview with George Sirois, Author of EXCELSIOR


excelsiorcover

Today, on the eve of the re-launch of EXCELSIOR, I’m interviewing a very fascinating author, George Sirois, late of NYC, STL transplant, and accomplished ballroom dancer:

When did you first write EXCELSIOR, and how long did it take you to finish?

The character had been sitting in my head since 1992, so I had about 16 years to decide what kind of hero he would be, and how he would fit into this tiny little universe in my head (a universe that was originally created in 1985 with my grade school friends) before I would write the first page.

The first draft was started on June 1, 2008, and I wrote “The End” on June 30 at 11:35pm. It was for a National Novel Writing Month type of challenge called the “Southern Cross Novel Challenge,” which is the same thing as NaNoWriMo – 50,000 words in 30 days – except it’s in June instead of November.

Later drafts were started in September of 2008 and weren’t finished until late June, 2010. My editor JeriAnn Geller was such a huge help on this and every question she had for me helped to expand this universe further than I ever thought possible.

What made you decide to republish the book?

After the initial paperback & eBook release of “Excelsior,” I started tinkering with the manuscript a bit. As it’s always the way with writers, we think of some great stuff to put into our work AFTER it’s released, but I knew that I could update the eBook version and push that as the definitive story, as opposed to its paperback counterpart. Early in the year, I started researching CreateSpace so that I could discontinue the 1st edition paperback and upload the finished eBook version, when I suddenly saw that RHP was accepting submissions.

I had already begun writing the first of two “Excelsior” sequels when the original was accepted by RHP. I realized that I could not only make sure that this manuscript reflected the much-better eBook version; I could also add elements that tie into what I was writing in the sequel. So after all this time, I can finally say that the version that’s about to be released is the definitive and FINAL version of the original book. I promise!

You’re a native New Yorker; why St. Louis, and how do the two compare?

I’m from New York, but my wife is from St. Louis. We agreed that our money would go a lot further if we moved here, and if we wanted to have a child, it would work a lot better if we were closer to family (my closest family member was over two hours away from where we lived in New York City).

It took a little while to get used to St. Louis, but it wound up being the best decision we could have made. Both of us have great jobs, we’ve made great friends and the opportunities given to us here outshine what we had in New York City.

Don’t get me wrong, I love NYC and always will. (I’m still a loyal Yankees & Giants fan, but I’ve had a lot of fun cheering for the Cardinals and I know the Rams are a year or two away from being constant contenders.) But everything we have now, we couldn’t have gotten in New York.

What project do you have in the works now that EXCELSIOR is about to be re-launched?

I’m working on two separate projects now. One is the sequel, which is called “Ever Upward: Part Two of The Excelsior Journey.” It’s been a lot of fun to write so far, since I’m constantly adding elements that expand the mythology of the character and the planet Denab IV.

The other is a rewrite of my 2002 novel “From Parts Unknown.” Originally, that was just going to be a single book, but I decided in 2012 to turn it into a five-part serial. So the plan is to release it in serial format on eBook and then, once the whole story is told, release all five parts as one complete paperback.

Once that’s done, then I can finish “Ever Upward” and move on to the third part of that trilogy, which leads to another group of characters, the latest versions of the ones created way back in 1985. I can’t wait to get going on that.

Writing aside, what’s this about dancing?

During our six years together in New York City, my wife tried to get me into West Coast Swing. She showed me DVDs, she gave me basic lessons, she hunted down different places that hosted WCS dances, and nothing worked. I just couldn’t get into it. It was only when we came here to St. Louis when it started to come together for me.

In early November of 2011, I was really depressed. I wasn’t comfortable living in St. Louis. I was homesick. I was just a mess. And my wife suggested that we go to a place that she knew was hosting a WCS event, at the Crestwood mall. I got to meet a whole bunch of people who knew this was my first time, and everyone was genuinely willing to help me with it. I didn’t know any moves, but I had the rhythm down right away and I knew the basic steps. Walk, Walk, Triple Step, Triple Step. The next week, I took my first official lesson and I was hooked.

I’ve been dancing West Coast Swing now for about two years. I’ve competed twice in the annual Meet Me in St. Louis competition, coming in third in the Jack ‘N Jill competition, Newcomer division, both times. I’ve taken private lessons to clean up my basics, and this January, I’ll be working with my instructor at my church, where we’ll be teaching WCS to the members.

Be sure to come by All on the Same Page Bookstore on Saturday, 1:00-3:00 p.m., to meet George and pick up your own copy of EXCELSIOR!