Characters and Camaros


Today, my guest is Sharon Hopkins, author of Killerwatt, Killerfind, and the soon-to-be-released Killertrust. You all met her husband, Bill, last week – together these two are the Deadly Duo. READ THEIR BOOKS, and you’ll know why; between them, they’re showing a respectable body count as per their novels (disclaimer, in case anyone reading is a smart aleck – or a government agent).

So, here’s Sharon:

People often ask me, “How do you come up with your characters?”

My short answer is, “They are all in my head, waiting to get out.” And that’s true—

both the animate and inanimate ones.

When I began getting the idea for my first book, Killerwatt, the character of my protagonist Rhetta McCarter was already rattling around my head, but I had to bring her to life. Before I even began writing the story, I started with a new clean document and began typing everything I knew about Rhetta—her occupation, spouse, pets, birthday, age, height, weight, what she liked to wear, and what her little idiosyncrasies were. I printed out the sheet with her info, and keep it by my laptop for reference. I never count on my memory to remember everything about her. I add to the sheet as every story goes on, and she reveals more about herself to me. I add those facts to my notes.

I do the same for all of the other principal characters in the books, too. Their age, spouses, where they went to school, their education, where they work, what they drive, etc.

Now the trick is how to tell the reader about the characters?

The way I like to do it is by describing actions and through dialog. Dialog gives the reader immediate insight into the character. To dialog, I add mannerisms and actions. No information dumping allowed. I release a little at a time, just enough to cover a point in the story. By the end of the book, the reader knows who she is and what she’s like, but can’t really go to a specific location for all the description.

Now, let’s talk about an inanimate object as a character. In this case, the secondary character, who is her Camaro.

When I put Rhetta behind the wheel of a classic 1979 restored Camaro that she calls Cami, I never realized how popular the car would become with the readers. Rhetta obviously loves her car, and when something bad happened to it in Killerwatt, many readers wrote to me and said they were devastated to read about Cami’s fate. I tell them to read Killerfind, which starts out with a story about Rhetta’s search to replace Cami, and leads to two murders and something exciting concerning Cami.

Cami is now a regular character. The nice thing about inanimate objects is that they can come back to life!

So characters don’t always have to be people. They can be houses, cars, motorcycles, cats, dogs, etc. Just make sure that you, the writer, know as much as you can about the characters when you begin writing about them. And listen and make notes about them when they tell you about themselves.

Thanks, Robin, for inviting me today. I’ve sure enjoyed the visit!

sharon

Sharon is a branch manager for a mortgage office of a Missouri bank. She also owns the original Cami, the 1979 Camaro featured in her books.

She is a member of the Mystery Writers of America, Sisters in Crime, the Southeast Missouri Writers’ Guild, and the Missouri Writers’ Guild. Her short story, DEATH BEE HUMBLE, appeared in the SEMO Writer’s Guild Anthology for 2012, and her newest short story, DEATH TO PONDER will be in a mystery anthology this spring.

Her first Rhetta McCarter book, KILLERWATT was nominated for a 2011 Lovey award for Best First Novel and was a finalist in the 2012 Indie Excellence Awards. Her second book, KILLERFIND, was released in July, 2012.

Besides writing, Sharon’s hobbies include painting, fishing, photography, flower gardening, and restoring muscle cars with her son, Jeff.

Sharon also spent 30 years as an Appaloosa Horse Club judge, where she was privileged to judge all over the US, Canada, Mexico and Europe.

She lives on the family compound near Marble Hill, Missouri with her husband, Bill, next door to her son, Jeff, his wife, Wendy and her grandson, Dylan, plus two dogs, one cat and assorted second generation Camaros.

Her books, KILLERWATT and KILLERFIND can be found on http://www.amazon.com, or directly from her home page at www.sharonwoodshopkins.com.

The third book, KILLERTRUST, will be available in 2013.

Signed copies are available at All on the Same Page Bookstore, 11052 Olive Blvd., Creve Coeur, Missouri.

Book Reviews


Today’s topic is book reviews. Yes, I’ve gotten a couple of not-so-good ones. I told myself, at the very beginning, that I would read them and let them go. You know, no reaction. Yeah. Okay. I don’t listen to myself all the time, and, well….

I have no problem if someone doesn’t like my books. Okay, I do, but I also realize that not everyone is going to love them. Or like them. Or read them.

I do, however, have a BIG issue, apparently, if someone criticizes something that is just not there – like “missing words,” “bad grammar,” “needs to be edited.” The books are edited. The books are gone over, time and again, line by line. Sure, there might be mistakes – even Random Penguin, or whatever they’re calling themselves these days, produces books with errors. It’s called the human factor.

It’s hardly something on which to base an entire book review, especially when the reviewer is flat-out wrong. When said reviewer gives four or five stars to another book that, on the first page alone, uses the word, “arrant.” I can only assume the author doesn’t know the correct word, “errant,” and that the reviewer is ignorant as well.

So let’s talk about stars, that “rating tool.” On Goodreads, stars mean different things than on Amazon:

Goodreads:

1 star = didn’t like it

2 stars = it was okay

3 stars = liked it

4 stars = really liked it

5 stars = it was amazing

Amazon:

1 star = I hate it

2 stars = I don’t like it

3 stars = it’s okay

4 stars = I like it

5 stars = I love it

Close, but not quite. Amazon reviewers, too, tend to write more conclusive reviews and actually talk about the book. Most of the time. On Goodreads, a lot of reviewers simply give books a star rating.

Sure, your mom is going to give you five stars no matter what; maybe other family members and friends. They might tell you what’s wrong with your book privately, but not publicly.

Now, I’m nobody; who would mess with me? No reason to, either you like my books or you don’t. But for someone to go to the trouble to create a fake review – saying similar things to the one mentioned above – is not only incorrect, and wrong, but unprofessional. And, in case she’s reading this, I know who you are, you haven’t hurt me a bit, and your review has been flagged and removed. A quite simple procedure, in case any of you should ever have this issue.

Someone asked me if there was a procedure on Amazon for this sort of thing, and I answered that I didn’t know – but there is, just click on the review and, at the bottom, there’s a “report abuse” link. Simple.

Then, of course, there are the paid reviews. Don’t do it. I mean, really? You want to pay someone to read your book? And write about it? Save your money. I went to IndieReader.com a couple of months ago and sent them an E-book to review. It’s still sitting there. I emailed today and asked how long this usually took, and the answer was that, unless the book was chosen for review or submitted to IRDA, no one would download it.

I looked at this IRDA thing; the submission form asked for payment of $150. Ah. A paid-for review. No thanks. I explained to the sender that I simply won’t pay for a review, or to enter a “contest,” and that I guessed I was out of luck with them.

She said: Guess so.

Nice. I cancelled the order.

But contests, you say? Surely that’s okay, to pay a fee? I’ll counter with “why?” Just so you can put on your website that your book “won” an award? One that probably no one who doesn’t frequent that website has even heard about? Well, sure, if you want to do it. I’m not. If the book is good enough to win an award, I shouldn’t have to pay someone to discover that. And if it’s not, it’s not!

I’m not talking about all awards, just the ones you have to buy, one way or another. By joining, entering, etc. and paying cash upfront. Kind of like those anthologies that so many “writers” are included in, if only they’ll buy a dozen copies of the book….

Guess I kind of got off the subject of book reviews. Oops.

Let’s assume that you get a bad review that isn’t inaccurate, isn’t about technicalities. I’ve gotten low-star ratings which include reviews that say things like: “started slow, picked up the pace, liked the ending,” and “really good story.” Those always make me wonder: if you liked all these things, couldn’t you at least have gone to three stars for “liked it?” Whatever.

Goodreads and Amazon both have a little button below each review that you can click if you “like” the review. If you do, click it. You might even comment something along the lines of, “Thanks! Glad you enjoyed the book!”

If you don’t like the review, don’t click the button.

And THAT is the only acceptable response to a bad review. Complain in private all you want. Be petty. Be immature. It’ll help you feel better until you forget about it and move on. For heaven’s sake, don’t name names, don’t point fingers, and DO NOT write your own fake reviews to counter the bad ones. Just don’t.

Sometimes, it’s hard to behave. 😉